Thursday, July 3, 2014

Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers. --Charles William Eliot

The Benefits of Poetry for Professionals

--by John Coleman, syndicated from blogs.hbr.org, Dec 19, 2012
Wallace Stevens was one of America's greatest poets. The author of "The Emperor of Ice-Cream"and "The Idea of Order at Key West" was awarded the Pulitzer Prize for Poetry in 1955 and offered a prestigious faculty position at Harvard University. Stevens turned it down. He didn't want to give up his position as Vice President of the Hartford Accident and Indemnity Company.
This lyrically inclined insurance executive was far from alone in occupying the intersect of business and poetry. Dana Gioia, a poet, Stanford Business School grad, and former General Foods executive, notes that T.S. Eliot spent a decade at Lloyd's Bank of London; and many other poets including James DickeyA.R. Ammons, and Edmund Clarence Stedman navigated stints in business.
I've written in the past about how business leaders should be readers, but even those of us prone to read avidly often restrict ourselves to contemporary nonfiction or novels. By doing so, we overlook a genre that could be valuable to our personal and professional development: poetry. Here's why we shouldn't.
For one, poetry teaches us to wrestle with and simplify complexity. Harman Industries founder Sidney Harman once told The New York Times, "I used to tell my senior staff to get me poets as managers. Poets are our original systems thinkers. They look at our most complex environments and they reduce the complexity to something they begin to understand." Emily Dickinson, for example, masterfully simplified complex topics with poems like "Because I could not stop for Death," and many poets are similarly adept. Business leaders live in multifaceted, dynamic environments. Their challenge is to take that chaos and make it meaningful and understandable. Reading and writing poetry can exercise that capacity, improving one's ability to better conceptualize the world and communicate it — through presentations or writing — to others.
Poetry can also help users develop a more acute sense of empathy. In the poem "Celestial Music,"for example, Louise Glück explores her feelings on heaven and mortality by seeing the issue through the eyes of a friend, and many poets focus intensely on understanding the people around them. In January of 2006, the Poetry Foundation released a landmark study, "Poetry in America,"outlining trends in reading poetry and characteristics of poetry readers. The number one thematic benefit poetry users cited was "understanding" — of the world, the self, and others. They were even found to be more sociable than their non-poetry-using counterparts. And bevies of new research show that reading fiction and poetry more broadly develops empathy. Raymond Mar, for example, has conducted studies showing fiction reading is essential to developing empathy in young children (PDF) and empathy and theory of mind in adults (PDF). The program in Medical Humanities & Arts (PDF) even included poetry in their curriculum as a way of enhancing empathy and compassion in doctors, and the intense empathy developed by so many poets is a skill essential to those who occupy executive suites and regularly need to understand the feelings and motivations of board members, colleagues, customers, suppliers, community members, and employees.
Reading and writing poetry also develops creativity. In an interview with Knowledge@Wharton, the aforementioned Dana Gioia says, "As [I rose] in business ... I felt I had an enormous advantage over my colleagues because I had a background in imagination, in language and in literature." Noting that the Greek root for poetry means "maker," Dana emphasizes that senior executives need not just quantitative skills but "qualitative and creative" skills and "creative judgment," and feels reading and writing poetry is a route to developing those capabilities. Indeed, poetry may be an even better tool for developing creativity than conventional fiction. Clare Morgan, in her book What Poetry Brings to Business, cites a study showing that poems caused readers to generate nearly twice as many alternative meanings as "stories," and poetry readers further developed greater "self-monitoring" strategies that enhanced the efficacy of their thinking processes. These creative capabilities can help executives keep their organizations entrepreneurial, draw imaginative solutions, and navigate disruptive environments where data alone are insufficient to make progress.
Finally, poetry can teach us to infuse life with beauty and meaning. A challenge in modern management can be to keep ourselves and our colleagues invested with wonder and purpose. AsSimon Sinek and others have documented, the best companies and people never lose a sense of why they do what they do. Neither do poets. In her Nobel lecture "The Poet and the World," Wislawa Szymborska writes:
The world — whatever we might think when terrified by its vastness and our own impotence ... is astonishing ...
Granted, in daily speech, where we don't stop to consider every word, we all use phrases like "the ordinary world," "ordinary life," "the ordinary course of events" ... But in the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.
What if we professionals cultivated a similar outlook? We might find our colleagues more hopeful and purposeful and our work revitalized with more surprise, meaning, and beauty.
Poetry isn't a one-size-fits-all solution to every business problem. There are plenty of business leaders who've never read poetry and have been wholly successful. But to those open to it, reading and writing poetry can be a valuable component of leadership development.

This article first appeared on the HBR blog site and is reprinted here with permission. John Coleman is a coauthor of the new HBR Press book, Passion & Purpose: Stories from the Best and Brightest Young Business Leaders.

Friday, May 30, 2014

SAMPLE OF MAYA ANGELOU'S BOOKS

Angelou, M. (2008). Letter to my daughter. New York, NY: Random House.
Angelou, M. (1993). On the pulse of the morning: Inaugural Poem. New York, NY: Random House.
Angelou, M. (1994). Phenomenal woman: Four poems celebrating women. New York, NY: Random House.
Angelou, M. (1993). Wouldn't take nothing for my journey now. New York, NY: Random House.

WE LOST OUR VOICE TODAY

Dr. Maya Angelou is at rest,
Her powerful voice quieted.

Soulfully narrating her 86 years,
She also narrated the lives of everyone.

Beacon for African American women:
Gwen and her daughters and nieces,

Nikki Giovanni, Alice Walker, Opra Winfrey,
Gayle King, Toni Morrison, bell hooks;

For women of color, all women,
For all men, indeed for all people.

She accepted the Presidential
Medal of Freedom in the name of

All immigrants, listed by country
Of origin, encompassing all

People who were violently stolen
Or escaped poverty and oppression.

She included all of us in her
Words and in her loving arms,

Gave voice to every human moment,
Celebrated Clinton's inauguration.

At Seattle's Paramount Theater,
Being in her splendid presence,

Tears streamed throughout
Her speaking, singing, and poeting.

In her radiating regalness, she spoke
Plainly and directly to each of us.

One side of the same coin:
Eloquent and accessible;

Suffering and laughing;
Humble and courageous;

Affectionate and blunt;
Gregarious and solitary.

Maya already abides in Heaven,
Awaiting any and all who make the cut.

We lost our voice today.

Ann Beth Blake
(c) May 28, 2014

Sunday, September 1, 2013

Renowned poet Seamus Heaney, 1939-2013



Newspapers alerted the world that Seamus Heaney, world-renowned Irish poet, died at 74 years of age. Mr. Heaney is hailed as one of the most important international literary figures in the last century, held in esteem by Ireland with Yeats, James Joyce, Samuel Beckett, and Geroge Bernard Shaw. His poetry was both universal and specific, describing daily life in the context of politics and historical/contemporary events. Born in rural County Londonderry, his work first focused on his roots and later extended to classic themes. He had academic positions at Harvard and Oxford.
Prizewinning poet Sean O'Brien described Haney's contribution as follows. "We have lost our senior representative, one who embodied and sustained the value of the poetic art." "He showed that poetry, it's music in the ear, the mouth and the imagination, remains the most potent form of the examined life."

Wednesday, June 19, 2013

SUMMER 2013 PILGRIMAGE



As part of my annual quarter away from teaching at Antioch University Seattle, I am taking a 9-week trip to a variety of European countries. In support of discerning the focus and direction for the last third of my life, I will begin my summer travels by walking El Camino de Santiago de Compostela (The Sacred Way of St. James) in northern Spain with my Swedish brylling (cousin) Karin. We will walk for 35 days between early July and early August, 2013, planning to complete the 450 mile/790 km from St. Jean Pied-de-Port in southwestern France (near Biarritz) to Santiago in northwestern Spain (about 50 miles east of the Atlantic Ocean). Karin and I have been talking about walking a pilgrimage since first meeting each other in 2007. Our trip begins by crossing the Pyrenees Mountains—nothing like leaping headfirst into the deep end of the pool!
The impetus for the timing of this trip is my attending The International Jungian Congress in Copenhagen (Köpenhamn) in mid-August. http://cg-jung.dk/en/welcome-to-the-iaap-congress-in-copenhagen/
After the Congress, I will meet a friend in London. We will first complete a 5-day trek in Wales: The Pembrokeshire Coast Path. http://nt.pcnpa.org.uk/website/sitefiles/nt_page.asp?PageID=2
After our hike, we will return to London see the jolly old sights.  http://www.gps-routes.co.uk/routes/home.nsf/RoutesLinksWalks/jubilee-walkway-walking-route
I will write now and then as I walk the Camino. I will access the internet occasionally when I am able to keep my eyes open after a long day of hiking. Blog address: abbelcamino.blogspot.blog
¡Buen Camino! Ruega por nosotros, por favor.
Bra Camino resa! Be för oss, tack.
Good Camino! Please pray for us.

Wednesday, June 27, 2012

Delisa's Sang

La oss alle sammen synge
vaar Delisas egen sang.
La den lyde, gamle, unge,
kjekt og fritt og uten tvang.

La den til de gamle minne
tid som svant i ungdomslag.
Fra det gangne vi skal vinne
arbeidshug til fremtids dag.

Vaar Delisa er vaar norne,
nu vi synger hennes sang.
Nutid, fremtid og det forne,
folge skal vi hennes gang.

Carlsson, K.A. (1951).Delisas Blaa Bok. Chicago, IL: Dalkullan publishing and importing company.
Photo Credit: Google Images. 

Tuesday, April 24, 2012

Poetry Magazine turns 100!




Excerpt borrowed from poetryfoundation.org:


Founded in Chicago by Harriet Monroe in 1912, Poetry magazine began with the “Open Door”:
May the great poet we are looking for never find it shut, or half-shut, against his ample genius! To this end the editors hope to keep free of entangling alliances with any single class or school. They desire to print the best English verse which is being written today, regardless of where, by whom, or under what theory of art it is written.
In its first year Poetry published William Carlos Williams and William Butler Yeats; Joyce Kilmer’s “Trees” and Ezra Pound’s “In a Station of the Metro”; and introduced Rabindranath Tagore to the English-speaking world just before he was awarded the Nobel Prize.
The magazine has since published a new issue every month for one hundred years. Perhaps most famous for having been the first to publish T.S. Eliot’s “The Love Song of J. Alfred Prufrock” (and, later, John Ashbery’s “Self-Portrait in a Convex Mirror”), Poetry also championed the early works of H.D., Robert Frost, Langston Hughes, Edna St. Vincent Millay, and Marianne Moore. It was first to recognize many poems that are now widely anthologized: “We Real Cool” by Gwendolyn Brooks, Briggflatts by Basil Bunting, “anyone lived in a pretty how town” by E.E. Cummings, “Chez Jane” by Frank O’Hara, “Fever 103°” by Sylvia Plath, “Chicago” by Carl Sandburg, “Sunday Morning” by Wallace Stevens, and many others. Poetry’s pages have also seen Elizabeth Bishop, Charles Bukowski, Raymond Carver, Allen Ginsberg, Ernest Hemingway, James Joyce, Gertrude Stein, and Tennessee Williams, to name just a few.
Today, Poetry regularly presents new work by the most recognized poets, but its primary commitment is still to discover new voices. In recent years, over a third of the poets published have been new to the magazine. Annual translation issues deepen readers’ engagement with foreign-language poetry, and regular Q&A features present conversations with poets about their work. Poetry is also known for its enlivening “Comment” section, featuring book reviews, essays, notebooks, and “The View from Here” column, which highlights artists and professionals from outside the poetry world writing about their experience of poetry. Recent installments have included pieces by actor Lili Taylor, web guru Xeni Jardin, the late columnist Christopher Hitchens, novelist William T. Vollmann, musician Neko Case, cartoonist Lynda Barry, and the author of the “Lemony Snicket” children’s series, Daniel Handler.
The entire one-hundred-year run of the magazine is available free online, as are related audio, video, and monthly podcasts in which editors Christian Wiman and Don Share discuss the current issue, talk to poets and critics, and share their poem selections with listeners. In 2011Poetry was awarded two National Magazine Awards: for Best Podcast and for General Excellence in Print. As critic Adam Kirsch says, “Poetry has done what long seemed impossible . . . it has become indispensable reading for anyone who cares about American literature.”

Click the link to poetryfoundation.org for more information about the history of Poetry Magazine: http://www.poetryfoundation.org/poetrymagazine/history
Images  borrowed from static.tumblr.com and poetryfoundation.org